Locked and Loaded – Crafting The Sounds for Halo 3
Locked and Loaded – Crafting The Sounds for Halo 3 (originally here) Robert Hanson interviews Bungie’s audio department who give an overview of their workplace, tools and methodology.
sound design
Recreating Reality
At the inaugural Develop Conference in Brighton I spoke about the differences between sound in the real world and sound in the virtual worlds that we create. Right on cue, the day before my presentation, Mark Rein, VP of Epic Games, claimed in his keynote session that: “the future of […]
Audible Words, Pt. 2: Updating the State of Critical Writing in Game Sound
Updating the State of Critical Writing in Game Sound Academic writing on game audio is often out of date due to the lightning fast evolution of the medium. Here, Bridgett refutes some common academic assertions and suggests ways that the accuracy of theoretical writing can be improved.
Establishing an Aesthetic in Next Generation Sound Design
Establishing an Aesthetic in Next Generation Sound Design
Tips for Game Sound Designers
Tips for Game Sound Designers (originally here) Nick Peck’s ten top tips.
Producing Audio for Halo
Producing Audio for Halo Marty O’Donnell’s post-mortem analysis of the music, sound and dialogue in Bungie’s Halo.