How Star Wars Battlefront II’s stellar sound was made
How Star Wars Battlefront II’s stellar sound was made
proprietary tools
Quantum Break Interview with Richard Lapington
Quantum Break Interview with Richard Lapington
The Sound of Grand Theft Auto V
The Sound of Grand Theft Auto V
Lessons Learned from a Decade of Audio Programming
Lessons Learned from a Decade of Audio Programming
Red Dead Redemption – Exclusive Interview with Audio Director Jeffrey Whitcher
Red Dead Redemption – Exclusive Interview with Audio Director Jeffrey Whitcher
Audio Implementation Greats #2: Audio Toolsets [Part 2]
Audio Implementation Greats #2: Audio Toolsets [Part 2]
The Music of Anarchy Online: Creating Music for MMOGs
The Music of Anarchy Online: Creating Music for MMOGs
Interactive Composition – The Eidos Interviews
Interactive Composition – The Eidos Interviews Interviews with Jim Hedges and the Soul Reaver sound team at Eidos USA.
Engine Roundup Part 1 by Alexander Brandon
Engine Roundup Part 1 by Alexander Brandon With the advancements in PC audio made over the last five, even last two years, it is becoming clear that we are no longer dealing with merely FM sound and wavetable cards. We have massively powerful 3D surround engines that add realism and […]
Working on Myth
Working on Myth The interactive audio engine used in both Myth games was an extremely powerful and probably under utilized engine….