Why You Probably Shouldn’t be Contributing More Than 33% to the Soundtrack Rob Bridgett on making informed decisions early enough in the game development process to avoid clunky mix decisions later in the project.
Audio Interviewing Audio: Tomoya Kishi and Kenneth Young Jack Menhorn at DesigningSound.org gets Media Molecule’s Kenneth Young and Capcom’s Tomoya Kishi to interview each other about their work, resulting in an unconventionally wide-ranging conversation.
A Run Time Utopia Rob Bridgett on the attractiveness of a run-time production environment for game audio.
Behind The Music of Tearaway An interview with composers Kenneth Young and Brian D’Oliveira on their music for Tearaway.
Tearaway is an adventure game exclusive to the Sony PlayStation Vita handheld system. The player is tasked with guiding their little paper messenger buddy on a mission to deliver the message that is trapped inside their envelope head by escaping the paper world and reaching the player out in the real […]
Why Isn’t Audio Involved From The Start? Ariel Gross on how to get audio in a position where it is involved from early on in a project.
An Interview with Rob Bridgett Rob Bridgett in interview with Ariel Gross, exploring the evolving role of game audio personel, how they think about their work and promote themselves to the world.
Capcom Audio Director Tomoya Kishi Interview Jack Menhorn interviews Tomoya Kishi for Designing Sound on his background, approach to work, the centralised audio department at Capcom and, perhaps most interestingly, the cultural differences in audio aesthetic between the West and Japan.
After Sound Design Rob Bridgett on the evolving collaborative relationship between audio personnel and development teams.
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